{"id":129,"date":"2015-05-05T01:03:28","date_gmt":"2015-05-04T16:03:28","guid":{"rendered":"http:\/\/www.gotango.jp\/blog\/2015\/05\/05\/20150504_2047\/"},"modified":"2015-05-05T01:03:28","modified_gmt":"2015-05-04T16:03:28","slug":"20150504_2047","status":"publish","type":"post","link":"https:\/\/www.gotango.jp\/blog\/20150504_2047\/","title":{"rendered":"2015\/05\/04 Tanda Play list"},"content":{"rendered":"\n\n\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2015\/5\/4 \u30bf\u30f3\u30b2\u30fc\u30e9<\/td>\n<\/tr>\n
\u3000<\/td>\n\u3000<\/td>\n\u3000<\/td>\n\u3000<\/td>\n\u3000<\/td>\n<\/tr>\n
\u3000<\/td>\n\u3000<\/td>\n\u3000<\/td>\n\u3000<\/td>\n\u3000<\/td>\n<\/tr>\n
\u3000<\/td>\n\u3000<\/td>\n\u3000<\/td>\n\u3000<\/td>\n\u3000<\/td>\n<\/tr>\n
Seq<\/td>\nName<\/td>\nArtist<\/td>\nAlbum<\/td>\nGenre<\/td>\n<\/tr>\n
1<\/td>\n\u30d5\u30a1\u30a4\u30a2\u30fc\u30af\u30e9\u30c3\u30ab\u30fc<\/td>\nYellow
\nMagic Orchestra<\/td>\n		YMO<\/td>\nElectronic<\/td>\n<\/tr>\n
2<\/td>\n\u30b3\u30ba\u30df\u30c3\u30af\u30fb\u30b5\u30fc\u30d5\u30a3\u30f3<\/td>\nYellow
\nMagic Orchestra<\/td>\n		YMO<\/td>\nElectronic<\/td>\n<\/tr>\n
3<\/td>\n\u30e9\u30a4\u30c7\u30a3\u30fc\u30f3<\/td>\nYellow
\nMagic Orchestra<\/td>\n		YMO<\/td>\nElectronic<\/td>\n<\/tr>\n
4<\/td>\n\u30bf\u30a4\u30c8\u30a5\u30f3\u30fb\u30a2\u30c3\u30d7<\/td>\nYellow
\nMagic Orchestra<\/td>\n		YMO<\/td>\nElectronic<\/td>\n<\/tr>\n
5<\/td>\nNice
\nAge<\/td>\n		Yellow
\nMagic Orchestra<\/td>\n		\u5897\u6b96<\/td>\nElectronic<\/td>\n<\/tr>\n
6<\/td>\nHere
\nWe Go Again – Tighten Up<\/td>\n		Yellow
\nMagic Orchestra<\/td>\n		\u5897\u6b96<\/td>\nElectronic<\/td>\n<\/tr>\n
7<\/td>\nMultiplies
\n(The Magnificent Seven)<\/td>\n		Yellow
\nMagic Orchestra<\/td>\n		\u5897\u6b96<\/td>\nElectronic<\/td>\n<\/tr>\n
8<\/td>\nStar
\nWars Main Theme<\/td>\n		John
\nWilliams<\/td>\n		Star
\nWars: Episode 1 The Phantom Menace<\/td>\n		Cortina
\n*<\/td>\n<\/tr>\n
9<\/td>\nStar
\nWars – Imperial March<\/td>\n		John
\nWilliams<\/td>\n		\u3000<\/td>\nCortina
\n*<\/td>\n<\/tr>\n
10<\/td>\nDidi<\/td>\nFirpo,
\nRoberto<\/td>\n		De
\nLa Guardia Veja Vol. 3<\/td>\n		Tango<\/td>\n<\/tr>\n
11<\/td>\nEl
\nCuzquito<\/td>\n		Firpo,
\nRoberto<\/td>\n		De
\nLa Guardia Veja Vol. 3<\/td>\n		Tango<\/td>\n<\/tr>\n
12<\/td>\nIvette<\/td>\nFirpo,
\nRoberto<\/td>\n		De
\nLa Guardia Veja Vol. 3<\/td>\n		Tango<\/td>\n<\/tr>\n
13<\/td>\nEl
\nCencerro<\/td>\n		Firpo,
\nRoberto<\/td>\n		De
\nLa Guardia Veja Vol. 3<\/td>\n		Tango<\/td>\n<\/tr>\n
14<\/td>\nNice
\nAge<\/td>\n		Yellow
\nMagic Orchestra<\/td>\n		\u5897\u6b96<\/td>\nElectronic<\/td>\n<\/tr>\n
15<\/td>\nLilian<\/td>\nJuan
\nD’Arienzo<\/td>\n		Sus
\nPrimeros Exitos w\/ Hector Maure<\/td>\n		Tango<\/td>\n<\/tr>\n
16<\/td>\nInfamia<\/td>\nJuan
\nD’Arienzo<\/td>\n		Sus
\nPrimeros Exitos w\/ Hector Maure<\/td>\n		Tango<\/td>\n<\/tr>\n
17<\/td>\nTango
\nBrujo<\/td>\n		Juan
\nD’Arienzo<\/td>\n		Sus
\nPrimeros Exitos w\/ Hector Maure<\/td>\n		Tango<\/td>\n<\/tr>\n
18<\/td>\nDime
\nMi Amor<\/td>\n		Juan
\nD’Arienzo<\/td>\n		Sus
\nPrimeros Exitos w\/ Hector Maure<\/td>\n		Tango<\/td>\n<\/tr>\n
19<\/td>\nHere
\nWe Go Again – Tighten Up<\/td>\n		Yellow
\nMagic Orchestra<\/td>\n		\u5897\u6b96<\/td>\nElectronic<\/td>\n<\/tr>\n
20<\/td>\nCorazon
\nDe Oro (euro version)<\/td>\n		Canaro,
\nFrancisco<\/td>\n		T2
\n– Nijmegen Vol. 2<\/td>\n		Vals<\/td>\n<\/tr>\n
21<\/td>\nDesde
\nEl Alma<\/td>\n		Canaro,
\nFrancisco<\/td>\n		T2
\n– Nijmegen Vol. 2<\/td>\n		Vals<\/td>\n<\/tr>\n
22<\/td>\nSalud
\nDinero Y Amor<\/td>\n		Canaro,
\nFrancisco<\/td>\n		T5
\n– Nijmegen Collection<\/td>\n		Vals<\/td>\n<\/tr>\n
23<\/td>\nEnsueno<\/td>\nFrancisco
\nCanaro<\/td>\n		T5
\n– Nijmegen Collection<\/td>\n		Vals
\n– Good<\/td>\n<\/tr>\n
24<\/td>\nMultiplies
\n(The Magnificent Seven)<\/td>\n		Yellow
\nMagic Orchestra<\/td>\n		\u5897\u6b96<\/td>\nElectronic<\/td>\n<\/tr>\n
25<\/td>\nMilonga
\npara una armonica<\/td>\n		Hugo
\nDiaz<\/td>\n		Hugo
\nDiaz en Buenos Aires disc 2<\/td>\n		Tango
\n– Checked<\/td>\n<\/tr>\n
26<\/td>\nLa
\nmariposa<\/td>\n		Hugo
\nDiaz<\/td>\n		Hugo
\nDiaz en Buenos Aires disc 2<\/td>\n		Tango
\n– Good<\/td>\n<\/tr>\n
27<\/td>\nPatotero
\nsentimental<\/td>\n		Hugo
\nDiaz<\/td>\n		Hugo
\nDiaz en Buenos Aires disc 2<\/td>\n		Tango
\n– Checked<\/td>\n<\/tr>\n
28<\/td>\nMilonga
\ntriste<\/td>\n		Hugo
\nDiaz<\/td>\n		Hugo
\nDiaz en Buenos Aires disc 1<\/td>\n		Tango
\n– Good<\/td>\n<\/tr>\n
29<\/td>\n\u30d5\u30a1\u30a4\u30a2\u30fc\u30af\u30e9\u30c3\u30ab\u30fc<\/td>\nYellow
\nMagic Orchestra<\/td>\n		YMO<\/td>\nElectronic<\/td>\n<\/tr>\n
30<\/td>\nGood
\nR.B. #4<\/td>\n		Rodolfo
\nBiagi<\/td>\n		Monterey
\nSurprise CD<\/td>\n		Tango<\/td>\n<\/tr>\n
31<\/td>\nY
\nNo Te Voy A Llorar<\/td>\n		Rodolfo
\nBiagi<\/td>\n		Monterey
\nSurprise CD<\/td>\n		Tango<\/td>\n<\/tr>\n
32<\/td>\nPor
\nTener Un Corazon<\/td>\n		Rodolfo
\nBiagi<\/td>\n		Monterey
\nSurprise CD<\/td>\n		Tango<\/td>\n<\/tr>\n
33<\/td>\nHoy
\nte Quiero Mucho Mas<\/td>\n		Rodolfo
\nBiagi<\/td>\n		Monterey
\nSurprise CD<\/td>\n		Tango<\/td>\n<\/tr>\n
34<\/td>\n\u30b3\u30ba\u30df\u30c3\u30af\u30fb\u30b5\u30fc\u30d5\u30a3\u30f3<\/td>\nYellow
\nMagic Orchestra<\/td>\n		YMO<\/td>\nElectronic<\/td>\n<\/tr>\n
35<\/td>\nLa
\nMilonga que Faltaba – Static Edit<\/td>\n		Edgardo
\nDonato<\/td>\n		\u3000<\/td>\nMilonga
\n– Good<\/td>\n<\/tr>\n
36<\/td>\nElla
\nEs Asi<\/td>\n		Edgardo
\nDonato<\/td>\n		ToTango
\nTandas 24<\/td>\n		Milonga<\/td>\n<\/tr>\n
37<\/td>\nSacale
\nPunta – Milonga tnagued<\/td>\n		Edgardo
\nDonato<\/td>\n		Edgardo
\nDonato y Su Muchachos<\/td>\n		Milonga
\n– Good<\/td>\n<\/tr>\n
38<\/td>\n\u30e9\u30a4\u30c7\u30a3\u30fc\u30f3<\/td>\nYellow
\nMagic Orchestra<\/td>\n		YMO<\/td>\nElectronic<\/td>\n<\/tr>\n
39<\/td>\nEl
\nEncopao<\/td>\n		Rodriguez,
\nEnrique<\/td>\n		Bailando
\nTodos Los Ritmos<\/td>\n		Tango<\/td>\n<\/tr>\n
40<\/td>\nComo
\nHas Cambiado Pebeta<\/td>\n		Rodriguez,
\nEnrique<\/td>\n		Tangos
\nCon Armando Moreno<\/td>\n		Tango<\/td>\n<\/tr>\n
41<\/td>\nTu…El
\nCielo Y Tu<\/td>\n		Rodriguez,
\nEnrique<\/td>\n		Tangos
\nCon Armando Moreno<\/td>\n		Tango<\/td>\n<\/tr>\n
42<\/td>\nA
\nMedia Luz<\/td>\n		Rodriguez,
\nEnrique<\/td>\n		Tangos
\nCon Armando Moreno<\/td>\n		Tango<\/td>\n<\/tr>\n
43<\/td>\n\u30bf\u30a4\u30c8\u30a5\u30f3\u30fb\u30a2\u30c3\u30d7<\/td>\nYellow
\nMagic Orchestra<\/td>\n		YMO<\/td>\nElectronic<\/td>\n<\/tr>\n
44<\/td>\nsanta
\nmar\u50d8 (del buen ayre)<\/td>\n		Gotan
\nProject<\/td>\n		La
\nRevancha Del Tango<\/td>\n		Tango
\n– Alt<\/td>\n<\/tr>\n
45<\/td>\nRayuela<\/td>\nGotan
\nProject<\/td>\n		TANGO
\n3.0<\/td>\n		Tango
\n– Alt<\/td>\n<\/tr>\n
46<\/td>\nErase
\nUna Vez<\/td>\n		Gotan
\nProject<\/td>\n		TANGO
\n3.0<\/td>\n		Tango
\n– Alt<\/td>\n<\/tr>\n
47<\/td>\nNice
\nAge<\/td>\n		Yellow
\nMagic Orchestra<\/td>\n		\u5897\u6b96<\/td>\nElectronic<\/td>\n<\/tr>\n
48<\/td>\nLejos
\nDe Ti – 38<\/td>\n		Rodolfo
\nBiagi<\/td>\n		Remi
\n– Valses 3<\/td>\n		Vals
\n– Good<\/td>\n<\/tr>\n
49<\/td>\nLoca
\nDe Amor – 38<\/td>\n		Rodolfo
\nBiagi<\/td>\n		Remi
\n– Valses 3<\/td>\n		Vals
\n– Good<\/td>\n<\/tr>\n
50<\/td>\nPaloma<\/td>\nRodolfo
\nBiagi<\/td>\n		Sus
\nExitos Con Alberto Amor<\/td>\n		Vals<\/td>\n<\/tr>\n
51<\/td>\nTu
\nMelodia – 45<\/td>\n		Rodolfo
\nBiagi<\/td>\n		Sus
\nExitos Con Jorge Ortiz Vol. 2<\/td>\n		Vals<\/td>\n<\/tr>\n
52<\/td>\nHere
\nWe Go Again – Tighten Up<\/td>\n		Yellow
\nMagic Orchestra<\/td>\n		\u5897\u6b96<\/td>\nElectronic<\/td>\n<\/tr>\n
53<\/td>\nPerfume
\nde Mujer<\/td>\n		Francisco
\nLomuto<\/td>\n		The
\nRoots of Tango: Nostalgias<\/td>\n		Tango<\/td>\n<\/tr>\n
54<\/td>\nPuerto
\nNuevo<\/td>\n		Francisco
\nLomuto<\/td>\n		The
\nRoots of Tango: Nostalgias<\/td>\n		Tango<\/td>\n<\/tr>\n
55<\/td>\nSan
\nTelmo<\/td>\n		Francisco
\nLomuto<\/td>\n		The
\nRoots of Tango: Nostalgias<\/td>\n		Tango<\/td>\n<\/tr>\n
56<\/td>\nOjos
\nNegros<\/td>\n		Francisco
\nLomuto<\/td>\n		The
\nRoots of Tango: Nostalgias<\/td>\n		Tango<\/td>\n<\/tr>\n
57<\/td>\nMultiplies
\n(The Magnificent Seven)<\/td>\n		Yellow
\nMagic Orchestra<\/td>\n		\u5897\u6b96<\/td>\nElectronic<\/td>\n<\/tr>\n
58<\/td>\nSentimiento
\nGaucho<\/td>\n		Biagi,
\nRodolfo<\/td>\n		Solos
\nde Orquesta<\/td>\n		Tango<\/td>\n<\/tr>\n
59<\/td>\nDi
\nDi<\/td>\n		Biagi,
\nRodolfo<\/td>\n		Solos
\nde Orquesta<\/td>\n		Tango<\/td>\n<\/tr>\n
60<\/td>\nEl
\nEnterriano<\/td>\n		Biagi,
\nRodolfo<\/td>\n		Solos
\nde Orquesta<\/td>\n		Tango<\/td>\n<\/tr>\n
61<\/td>\nEl
\nRecodo<\/td>\n		Biagi,
\nRodolfo<\/td>\n		Solos
\nde Orquesta<\/td>\n		Tango<\/td>\n<\/tr>\n
62<\/td>\n\u30d5\u30a1\u30a4\u30a2\u30fc\u30af\u30e9\u30c3\u30ab\u30fc<\/td>\nYellow
\nMagic Orchestra<\/td>\n		YMO<\/td>\nElectronic<\/td>\n<\/tr>\n
63<\/td>\nCorralera<\/td>\nAnibal
\nTroilo<\/td>\n		Juntos
\npor el tango<\/td>\n		Milonga<\/td>\n<\/tr>\n
64<\/td>\nMilonga
\nDe Mis Amores<\/td>\n		Anibal
\nTroilo<\/td>\n		Juntos
\npor el tango<\/td>\n		Milonga<\/td>\n<\/tr>\n
65<\/td>\nDe
\nPura Cepa<\/td>\n		Anibal
\nTroilo<\/td>\n		Instrumental
\n1941-1944<\/td>\n		Milonga<\/td>\n<\/tr>\n
66<\/td>\n\u30b3\u30ba\u30df\u30c3\u30af\u30fb\u30b5\u30fc\u30d5\u30a3\u30f3<\/td>\nYellow
\nMagic Orchestra<\/td>\n		YMO<\/td>\nElectronic<\/td>\n<\/tr>\n
67<\/td>\nCanto
\nDe Amor<\/td>\n		Fresedo,
\nOsvaldo<\/td>\n		Tangos
\nDe Salon<\/td>\n		Tango<\/td>\n<\/tr>\n
68<\/td>\nCordobesita<\/td>\nFresedo,
\nOsvaldo<\/td>\n		Tangos
\nDe Salon<\/td>\n		Tango<\/td>\n<\/tr>\n
69<\/td>\nIsla
\nDe Capri<\/td>\n		Fresedo,
\nOsvaldo<\/td>\n		Tangos
\nDe Salon<\/td>\n		Tango<\/td>\n<\/tr>\n
70<\/td>\nSiempre
\nEs Carnaval+<\/td>\n		Fresedo,
\nOsvaldo<\/td>\n		Tangos
\nDe Salon<\/td>\n		Tango<\/td>\n<\/tr>\n
71<\/td>\n\u30e9\u30a4\u30c7\u30a3\u30fc\u30f3<\/td>\nYellow
\nMagic Orchestra<\/td>\n		YMO<\/td>\nElectronic<\/td>\n<\/tr>\n
72<\/td>\nOtono
\nPorteno (R. Garello)<\/td>\n		Piazzolla,
\nAstor<\/td>\n		The
\nTango Way – The Classic Way<\/td>\n		Tango
\n– Alt<\/td>\n<\/tr>\n
73<\/td>\nLibertango
\n(L. Federico)<\/td>\n		Piazzolla,
\nAstor<\/td>\n		The
\nTango Way – The Classic Way<\/td>\n		Tango
\n– Alt<\/td>\n<\/tr>\n
74<\/td>\nNonino
\n(L. Federico)<\/td>\n		Piazzolla,
\nAstor<\/td>\n		The
\nTango Way – The Classic Way<\/td>\n		Tango
\n– Alt<\/td>\n<\/tr>\n
75<\/td>\n\u30bf\u30a4\u30c8\u30a5\u30f3\u30fb\u30a2\u30c3\u30d7<\/td>\nYellow
\nMagic Orchestra<\/td>\n		YMO<\/td>\nElectronic<\/td>\n<\/tr>\n
76<\/td>\nTu
\nDiagnostico<\/td>\n		Anibal
\nTroilo<\/td>\n		Alex
\nAll-Nighter 7_01 Disk 4.0<\/td>\n		Vals
\n– Good<\/td>\n<\/tr>\n
77<\/td>\nRomance
\nDe Barrio – Floreal Ruiz<\/td>\n		Anibal
\nTroilo<\/td>\n		Best
\nOf Tango Argentino – Valsecitos De Antes<\/td>\n		Vals
\n– Good<\/td>\n<\/tr>\n
78<\/td>\nPalomita
\nBlanca<\/td>\n		Anibal
\nTroilo<\/td>\n		26
\nValses Troilo Varela Villasboas<\/td>\n		Vals
\n– Good<\/td>\n<\/tr>\n
79<\/td>\nFlor
\nDe Lino – Floreal Ruiz<\/td>\n		Anibal
\nTroilo<\/td>\n		Best
\nOf Tango Argentino – Valsecitos De Antes<\/td>\n		Vals
\n– Good<\/td>\n<\/tr>\n
80<\/td>\nNice
\nAge<\/td>\n		Yellow
\nMagic Orchestra<\/td>\n		\u5897\u6b96<\/td>\nElectronic<\/td>\n<\/tr>\n
81<\/td>\nCarlos
\nDi Sarli – Instrumental \/ A La Gran Muneca<\/td>\n		Carlos
\nDi Sarli<\/td>\n		Pa’
\nQue Bailen Los Muchachos – Con Las Mejores Orquestas Del Tango<\/td>\n		Tango<\/td>\n<\/tr>\n
82<\/td>\nCarlos
\nDi Sarli – Instrumental \/ El Cabure<\/td>\n		Carlos
\nDi Sarli<\/td>\n		Pa’
\nQue Bailen Los Muchachos – Con Las Mejores Orquestas Del Tango<\/td>\n		Tango<\/td>\n<\/tr>\n
83<\/td>\nCarlos
\nDi Sarli – Instrumental \/ El Amanecer<\/td>\n		Carlos
\nDi Sarli<\/td>\n		Pa’
\nQue Bailen Los Muchachos – Con Las Mejores Orquestas Del Tango<\/td>\n		Tango<\/td>\n<\/tr>\n
84<\/td>\nCarlos
\nDi Sarli – Instrumental \/ Bar Exposicion<\/td>\n		Carlos
\nDi Sarli<\/td>\n		Pa’
\nQue Bailen Los Muchachos – Con Las Mejores Orquestas Del Tango<\/td>\n		Tango<\/td>\n<\/tr>\n
85<\/td>\nHere
\nWe Go Again – Tighten Up<\/td>\n		Yellow
\nMagic Orchestra<\/td>\n		\u5897\u6b96<\/td>\nElectronic<\/td>\n<\/tr>\n
86<\/td>\nEl
\ncornetin del tranvia<\/td>\n		Lomuto,
\nFrancisco<\/td>\n		y
\nsu orquesta tipica (1930-1941) EB<\/td>\n		Tango<\/td>\n<\/tr>\n
87<\/td>\nGolgota+<\/td>\nLomuto,
\nFrancisco<\/td>\n		y
\nsu orquesta tipica (1930-1941) EB<\/td>\n		Tango<\/td>\n<\/tr>\n
88<\/td>\nCopa
\nde ajenjo<\/td>\n		Lomuto,
\nFrancisco<\/td>\n		y
\nsu orquesta tipica (1930-1941) EB<\/td>\n		Tango<\/td>\n<\/tr>\n
89<\/td>\nBuenos
\nAires<\/td>\n		Lomuto,
\nFrancisco<\/td>\n		y
\nsu orquesta tipica (1930-1941) EB<\/td>\n		Tango<\/td>\n<\/tr>\n
90<\/td>\nMultiplies
\n(The Magnificent Seven)<\/td>\n		Yellow
\nMagic Orchestra<\/td>\n		\u5897\u6b96<\/td>\nElectronic<\/td>\n<\/tr>\n
91<\/td>\nPapas
\nCalientes<\/td>\n		Juan
\nD’Arienzo<\/td>\n		Tangos
\nPara El Mundo Vol. 2<\/td>\n		Milonga
\n– checked<\/td>\n<\/tr>\n
92<\/td>\nLa
\nPunalada<\/td>\n		Juan
\nD’Arienzo<\/td>\n		Tangos
\nPara El Mundo Vol. 2<\/td>\n		Milonga<\/td>\n<\/tr>\n
93<\/td>\nMilonga
\nDe Mis Amores<\/td>\n		Juan
\nD’Arienzo<\/td>\n		Tangos
\nPara El Mundo Vol 2<\/td>\n		Milonga<\/td>\n<\/tr>\n
94<\/td>\nMilonga
\nvieja Milonga<\/td>\n		Juan
\nD’Arienzo<\/td>\n		Miolonga
\nvieja<\/td>\n		Milonga<\/td>\n<\/tr>\n
95<\/td>\n\u30d5\u30a1\u30a4\u30a2\u30fc\u30af\u30e9\u30c3\u30ab\u30fc<\/td>\nYellow
\nMagic Orchestra<\/td>\n		YMO<\/td>\nElectronic<\/td>\n<\/tr>\n
96<\/td>\nTres
\nEsquinas<\/td>\n		Sexteto
\nMilonguero<\/td>\n		Pa’
\nQue Bailen…<\/td>\n		Tango
\n– New<\/td>\n<\/tr>\n
97<\/td>\nUna
\nEmocion<\/td>\n		Sexteto
\nMilonguero<\/td>\n		Pa’
\nQue Bailen…<\/td>\n		Tango
\n– New<\/td>\n<\/tr>\n
98<\/td>\nTu…
\nEl Cielo Y Tu…<\/td>\n		Sexteto
\nMilonguero<\/td>\n		Pa’
\nQue Bailen…<\/td>\n		Tango
\n– New<\/td>\n<\/tr>\n
99<\/td>\nYo
\nSoy El Tango<\/td>\n		Sexteto
\nMilonguero<\/td>\n		Pa’
\nQue Bailen…<\/td>\n		Tango
\n– New<\/td>\n<\/tr>\n
100<\/td>\n\u30b3\u30ba\u30df\u30c3\u30af\u30fb\u30b5\u30fc\u30d5\u30a3\u30f3<\/td>\nYellow
\nMagic Orchestra<\/td>\n		YMO<\/td>\nElectronic<\/td>\n<\/tr>\n
101<\/td>\nPercal<\/td>\nMiguel
\nCalo<\/td>\n		Sus
\nexitos con Alberto Podesta<\/td>\n		Tango<\/td>\n<\/tr>\n
102<\/td>\nA
\nlas 7 en la cafe<\/td>\n		Miguel
\nCalo<\/td>\n		Sus
\nexitos con Alberto Podesta<\/td>\n		Tango<\/td>\n<\/tr>\n
103<\/td>\nMi
\ncantar<\/td>\n		Miguel
\nCalo<\/td>\n		Sus
\nexitos con Alberto Podesta<\/td>\n		Tango<\/td>\n<\/tr>\n
104<\/td>\nPa’
\nque seguir<\/td>\n		Miguel
\nCalo<\/td>\n		Sus
\nexitos con Alberto Podesta<\/td>\n		Tango<\/td>\n<\/tr>\n
105<\/td>\n\u30e9\u30a4\u30c7\u30a3\u30fc\u30f3<\/td>\nYellow
\nMagic Orchestra<\/td>\n		YMO<\/td>\nElectronic<\/td>\n<\/tr>\n
106<\/td>\nValsecito
\nCriollo<\/td>\n		Juan
\nD’Arienzo<\/td>\n		Sus
\nPrimeros Exitos – Vol. 2<\/td>\n		Vals
\n– Good<\/td>\n<\/tr>\n
107<\/td>\nMentias<\/td>\nJuan
\nD’Arienzo<\/td>\n		Sus
\nPrimeros Exitos – Vol. 2<\/td>\n		Vals
\n– Good<\/td>\n<\/tr>\n
108<\/td>\nDesde
\nEl Alma<\/td>\n		Juan
\nD’Arienzo<\/td>\n		Sus
\nPrimeros Exitos – Vol. 2<\/td>\n		Vals
\n– Good<\/td>\n<\/tr>\n
109<\/td>\nEl
\nAeroplano – 38<\/td>\n		Juan
\nD’Arienzo<\/td>\n		Remi
\n– Valses 2<\/td>\n		Vals<\/td>\n<\/tr>\n
110<\/td>\n\u30bf\u30a4\u30c8\u30a5\u30f3\u30fb\u30a2\u30c3\u30d7<\/td>\nYellow
\nMagic Orchestra<\/td>\n		YMO<\/td>\nElectronic<\/td>\n<\/tr>\n
111<\/td>\nVida
\nMia<\/td>\n		Fresedo,
\nOsvaldo<\/td>\n		Rendez-vous
\nPorteno<\/td>\n		Tango<\/td>\n<\/tr>\n
112<\/td>\nLa
\nViruta<\/td>\n		Fresedo,
\nOsvaldo<\/td>\n		Rendez-vous
\nPorteno<\/td>\n		Tango<\/td>\n<\/tr>\n
113<\/td>\nEl
\nEspiante<\/td>\n		Fresedo,
\nOsvaldo<\/td>\n		Rendez-vous
\nPorteno<\/td>\n		Tango<\/td>\n<\/tr>\n
114<\/td>\nAdios
\nMuchachos<\/td>\n		Fresedo,
\nOsvaldo<\/td>\n		Rendez-vous
\nPorteno<\/td>\n		Tango<\/td>\n<\/tr>\n
115<\/td>\nNice
\nAge<\/td>\n		Yellow
\nMagic Orchestra<\/td>\n		\u5897\u6b96<\/td>\nElectronic<\/td>\n<\/tr>\n
116<\/td>\nNonino<\/td>\nColor
\nTango<\/td>\n		Con
\nEstilo<\/td>\n		Tango
\n– Good<\/td>\n<\/tr>\n
117<\/td>\nLa
\nMariposa<\/td>\n		Color
\nTango<\/td>\n		Con
\nEstilo Para Bailar Vol. 2<\/td>\n		Tango
\n– Good<\/td>\n<\/tr>\n
118<\/td>\nA
\nEvaristo Carriego<\/td>\n		Color
\nTango<\/td>\n		Con
\nEstilo Para Bailar Vol. 2<\/td>\n		Tango
\n– Good<\/td>\n<\/tr>\n
119<\/td>\nEmancipacion<\/td>\nColor
\nTango<\/td>\n		Con
\nEstilo Para Bailar Vol. 2<\/td>\n		Tango
\n– Good<\/td>\n<\/tr>\n
120<\/td>\nHere
\nWe Go Again – Tighten Up<\/td>\n		Yellow
\nMagic Orchestra<\/td>\n		\u5897\u6b96<\/td>\nElectronic<\/td>\n<\/tr>\n
121<\/td>\nMilongueando<\/td>\nCanaro,
\nFrancisco<\/td>\n		ToTango
\nTandas 23<\/td>\n		Milonga<\/td>\n<\/tr>\n
122<\/td>\nMilonga
\ndel 900<\/td>\n		Canaro,
\nFrancisco<\/td>\n		ToTango
\nTandas 23<\/td>\n		Milonga
\n– Good<\/td>\n<\/tr>\n
123<\/td>\nLa
\nNegrita Candombe<\/td>\n		Canaro,
\nFrancisco<\/td>\n		ToTango
\nTandas 24<\/td>\n		Milonga?<\/td>\n<\/tr>\n
124<\/td>\nPa
\nQue Lo Oigan<\/td>\n		Canaro,
\nFrancisco<\/td>\n		ToTango-Tandas
\n29<\/td>\n		Milonga<\/td>\n<\/tr>\n
125<\/td>\nMultiplies
\n(The Magnificent Seven)<\/td>\n		Yellow
\nMagic Orchestra<\/td>\n		\u5897\u6b96<\/td>\nElectronic<\/td>\n<\/tr>\n
126<\/td>\nComparsa
\nCriolla<\/td>\n		Ricardo
\nTanturi<\/td>\n		Alex’s
\nMixes<\/td>\n		Tango<\/td>\n<\/tr>\n
127<\/td>\nGallo
\nCiego<\/td>\n		Ricardo
\nTanturi<\/td>\n		Alex’s
\nMixes<\/td>\n		Tango<\/td>\n<\/tr>\n
128<\/td>\nArganaraz<\/td>\nRicardo
\nTanturi<\/td>\n		Alex’s
\nMixes<\/td>\n		Tango<\/td>\n<\/tr>\n
129<\/td>\nLagrimas<\/td>\nRicardo
\nTanturi<\/td>\n		Alex’s
\nMixes<\/td>\n		Tango<\/td>\n<\/tr>\n
130<\/td>\n\u30d5\u30a1\u30a4\u30a2\u30fc\u30af\u30e9\u30c3\u30ab\u30fc<\/td>\nYellow
\nMagic Orchestra<\/td>\n		YMO<\/td>\nElectronic<\/td>\n<\/tr>\n
131<\/td>\nCordon
\nDe Oro<\/td>\n		Troilo,
\nAnibal<\/td>\n		Pichuco<\/td>\nTango<\/td>\n<\/tr>\n
132<\/td>\nC.T.V.<\/td>\nTroilo,
\nAnibal<\/td>\n		Pichuco<\/td>\nTango<\/td>\n<\/tr>\n
133<\/td>\nMilonguero
\nen 40<\/td>\n		Troilo,
\nAnibal<\/td>\n		Pichuco<\/td>\nTango<\/td>\n<\/tr>\n
134<\/td>\nCachirulo<\/td>\nTroilo,
\nAnibal<\/td>\n		Pichuco<\/td>\nTango<\/td>\n<\/tr>\n
135<\/td>\n\u30b3\u30ba\u30df\u30c3\u30af\u30fb\u30b5\u30fc\u30d5\u30a3\u30f3<\/td>\nYellow
\nMagic Orchestra<\/td>\n		YMO<\/td>\nElectronic<\/td>\n<\/tr>\n
136<\/td>\nNella
\nPioggia<\/td>\n		Vinicio
\nCapossela<\/td>\n		Canzoni
\na Manovella<\/td>\n		Vals
\n– Alt<\/td>\n<\/tr>\n
137<\/td>\nI
\npagliacci<\/td>\n		Vinicio
\nCapossela<\/td>\n		Canzoni
\na Manovella<\/td>\n		Vals
\n– Alt<\/td>\n<\/tr>\n
138<\/td>\nLes
\nJours Tristes<\/td>\n		Yann
\nTiersen<\/td>\n		Amelie<\/td>\nVals
\n– Alt<\/td>\n<\/tr>\n
139<\/td>\nHijo
\nDe La Luna<\/td>\n		Unknown<\/td>\nT1
\n– Nijmegen Collection<\/td>\n		Vals
\n– Alt<\/td>\n<\/tr>\n
140<\/td>\n\u30e9\u30a4\u30c7\u30a3\u30fc\u30f3<\/td>\nYellow
\nMagic Orchestra<\/td>\n		YMO<\/td>\nElectronic<\/td>\n<\/tr>\n
141<\/td>\nOrganito
\nDe La Tarde<\/td>\n		Juan
\nD’Arienzo<\/td>\n		Tangos
\nPara El Mundo Vol 1<\/td>\n		Tango<\/td>\n<\/tr>\n
142<\/td>\nLa
\nGuinada<\/td>\n		Juan
\nD’Arienzo<\/td>\n		Tangos
\nPara El Mundo Vol 1<\/td>\n		Tango<\/td>\n<\/tr>\n
143<\/td>\nSollozos<\/td>\nJuan
\nD’Arienzo<\/td>\n		Tangos
\nPara El Mundo Vol 1<\/td>\n		Tango<\/td>\n<\/tr>\n
144<\/td>\nLa
\nMorocha<\/td>\n		Juan
\nD’Arienzo<\/td>\n		Tangos
\nPara El Mundo Vol 1<\/td>\n		Tango<\/td>\n<\/tr>\n
145<\/td>\n\u30bf\u30a4\u30c8\u30a5\u30f3\u30fb\u30a2\u30c3\u30d7<\/td>\nYellow
\nMagic Orchestra<\/td>\n		YMO<\/td>\nElectronic<\/td>\n<\/tr>\n
146<\/td>\nLa
\nPiba de lo Jazmines<\/td>\n		Malerba,
\nRicardo<\/td>\n		Ricardo
\nMalerba y su Orquestra Tipica<\/td>\n		Tango<\/td>\n<\/tr>\n
147<\/td>\nTres
\nAmigos<\/td>\n		Ricardo
\nMalerba<\/td>\n		Alex
\nTF04 CD 4<\/td>\n		Tango
\n– Good<\/td>\n<\/tr>\n
148<\/td>\nJunto
\nA Tu Corazon<\/td>\n		Ricardo
\nMalerba<\/td>\n		Alex
\nTF04 CD 4<\/td>\n		Tango
\n– Good<\/td>\n<\/tr>\n
149<\/td>\nEnbrujamiento<\/td>\nRicardo
\nMalerba<\/td>\n		Alex
\nTF04 CD 4<\/td>\n		Tango
\n– Good<\/td>\n<\/tr>\n
150<\/td>\nNice
\nAge<\/td>\n		Yellow
\nMagic Orchestra<\/td>\n		\u5897\u6b96<\/td>\nElectronic<\/td>\n<\/tr>\n
151<\/td>\nTaquito
\nmilitar<\/td>\n		Hugo
\nDiaz<\/td>\n		Hugo
\nDiaz en Buenos Aires disc 1<\/td>\n		Milonga
\n– Good<\/td>\n<\/tr>\n
152<\/td>\nEl
\nlloron<\/td>\n		Hugo
\nDiaz<\/td>\n		Hugo
\nDiaz en Buenos Aires disc 1<\/td>\n		Milonga
\n– Good<\/td>\n<\/tr>\n
153<\/td>\nSe
\nDice De Mi<\/td>\n		Joe
\nPowers<\/td>\n		Amor
\nDe Tango<\/td>\n		Milonga
\n– Alt<\/td>\n<\/tr>\n
154<\/td>\nC…ara
\nde la L…una<\/td>\n		Joe
\nPowers<\/td>\n		Amor
\nDe Tango<\/td>\n		Milonga
\n– Alt<\/td>\n<\/tr>\n
155<\/td>\nHere
\nWe Go Again – Tighten Up<\/td>\n		Yellow
\nMagic Orchestra<\/td>\n		\u5897\u6b96<\/td>\nElectronic<\/td>\n<\/tr>\n
156<\/td>\nEl
\nPaladin<\/td>\n		Osvaldo
\nPugliese<\/td>\n		In
\nThe 1940s<\/td>\n		Tango<\/td>\n<\/tr>\n
157<\/td>\nRecuerdo<\/td>\nOsvaldo
\nPugliese<\/td>\n		In
\nThe 1940s<\/td>\n		Tango<\/td>\n<\/tr>\n
158<\/td>\nEl
\nArranque<\/td>\n		Osvaldo
\nPugliese<\/td>\n		In
\nThe 1940s<\/td>\n		Tango<\/td>\n<\/tr>\n
159<\/td>\nLa
\nCachila<\/td>\n		Osvaldo
\nPugliese<\/td>\n		In
\nThe 1940s<\/td>\n		Tango<\/td>\n<\/tr>\n
160<\/td>\nMultiplies
\n(The Magnificent Seven)<\/td>\n		Yellow
\nMagic Orchestra<\/td>\n		\u5897\u6b96<\/td>\nElectronic<\/td>\n<\/tr>\n
161<\/td>\nAmurado<\/td>\nLaurenz,
\nPedro<\/td>\n		Milonga
\nde mis Amores<\/td>\n		Tango<\/td>\n<\/tr>\n
162<\/td>\nDe
\npuro guapo<\/td>\n		Laurenz,
\nPedro<\/td>\n		Milonga
\nde mis Amores<\/td>\n		Tango<\/td>\n<\/tr>\n
163<\/td>\nAlma
\nde bohemio<\/td>\n		Laurenz,
\nPedro<\/td>\n		Milonga
\nde mis Amores<\/td>\n		Tango<\/td>\n<\/tr>\n
164<\/td>\nGarua<\/td>\nLaurenz,
\nPedro<\/td>\n		Milonga
\nde mis Amores<\/td>\n		Tango<\/td>\n<\/tr>\n
165<\/td>\nStar
\nWars Main Theme<\/td>\n		John
\nWilliams<\/td>\n		Star
\nWars: Episode 1 The Phantom Menace<\/td>\n		Cortina
\n*<\/td>\n<\/tr>\n
166<\/td>\nRecuerdo<\/td>\nTanturi,
\nRicardo<\/td>\n		Valses
\nbrigitta<\/td>\n		Vals<\/td>\n<\/tr>\n
167<\/td>\nAl
\nPasar<\/td>\n		Tanturi,
\nRicardo<\/td>\n		Una
\nEmocion: canta – Campos<\/td>\n		Vals<\/td>\n<\/tr>\n
168<\/td>\nCon
\nLos Amigos (A Mi Madre)<\/td>\n		Ricardo
\nTanturi Y Su Orquesta T\u5393ica – Canta Alberto Castillo<\/td>\n		Tangos
\nDe Mi Ciudad<\/td>\n		Vals<\/td>\n<\/tr>\n
169<\/td>\nMe
\nBeso Y Se Fue<\/td>\n		Ricardo
\nTanturi<\/td>\n		Tanturi
\nVol.1-KE Restore<\/td>\n		Vals<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

2015\/5\/4 \u30bf\u30f3\u30b2\u30fc\u30e9 \u3000 \u3000 \u3000 \u3000 \u3000 \u3000 \u3000 \u3000 \u3000 \u3000 \u3000 \u3000 \u3000 \u3000 \u3000 Seq Name Artist Album Genre 1 \u30d5\u30a1\u30a4\u30a2\u30fc\u30af\u30e9\u30c3\u30ab\u30fc Yellow Magic Orchestra Y […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-129","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.gotango.jp\/blog\/wp-json\/wp\/v2\/posts\/129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gotango.jp\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gotango.jp\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gotango.jp\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gotango.jp\/blog\/wp-json\/wp\/v2\/comments?post=129"}],"version-history":[{"count":0,"href":"https:\/\/www.gotango.jp\/blog\/wp-json\/wp\/v2\/posts\/129\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.gotango.jp\/blog\/wp-json\/wp\/v2\/media?parent=129"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gotango.jp\/blog\/wp-json\/wp\/v2\/categories?post=129"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gotango.jp\/blog\/wp-json\/wp\/v2\/tags?post=129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}